Lespremierspasducinéma-Àlarechercheduson全集观看
- 上映年代:未知状态:已完结
- 类型:剧情电影
- 主演:JulienAnton PaoloCherchiUsai MauriceGianati StephenHerbert
- 地区:法国
- 更新日期:2021-06-15
剧情:
主演:JulienAnton/PaoloCherch[详细]
【影片观看小贴士】: [DVD:普通清晰版] [BD:高清无水印] [HD:高清版] [TS:抢先非清晰版] - 其中,BD和HD版本不太适合网速过慢的用户观看!
剧情介绍
主演:JulienAnton/PaoloCherchiUsai/MauriceGianati/StephenHerb导演:EricLange语言:法语地区:法国编剧:SergeBromberg类型:纪录片上映时间: 别名:DiscoveringCinema:LearningtoTalk用户标签:2000s,◎2000s,法国片长:52分钟imdb编号:tt0498704Althoughmotionpicturesemergedinthe1890s,theywereforthemostpartinblackandwhite,anddidn'thavesound,keepingthemquiteabitshortfrombeingthetruesimulcarumoflifetheyaspiredtobe.Numerousinventorsandentrepreneursovertheyearsattemptedtocreatesynchronizedsoundandlifelikecolorpresentationsoftheirfilms,butitwasn'tuntilthelate1920sandthemid1930sthattheyactuallymanagedtoreliablydoso.ThispairofdocumentariesbyEricLangeandSergeBrombergtracesthehistoryofsoundandcolorinthemoviesfromtheearliestdaystomaturity.
LearningtoTalk(2003)looksattheaudiodimension,fromtheearliestdaysofsoundrecording,unrelatedtomotionpictures.Theearliesterasfeaturethestandardsilentliveaccompaniment,withvariousingeniousadditionssuchasaspecifiedlivesingerorsoundeffectsperformedattheappropriatemoments,ortheNotofilm,whichranthemelodylineoftheintendedscoreacrossthebottomofthescreentoguideaperformer.ButwithEdison'sinventionofthephonograph,itwasclearthatrecordingofsomekindwouldbethefuture.Theproblemwashowtosynchronizethesoundwiththepictures,thoughEdisonmanagedsomeprimitiveachievementsinthisareaasearlyas1902.
Thereweretwoduelingformatsofsound,oneutilizingdisc(whichwouldevolveintotheVitagraphsoundsystem,usedbyTheJazzSinger),andtheopticalformatusedbytheFoxMovietoneshorts,andwhichwouldeventuallytriumphasthemethodofchoiceforsoundfilms.Thenarrativeisreasonablyclear,althoughitdoestendtomeanderabitfromtopictotopic.Becausethereweresomanycompetingformats,however,thatapproachisprobablyunavoidable.Thedocumentarydepictsmostoftheseversionsinqualityexcerpts,withclipsthatdemonstratethesystemsandtheirlimitationswithclarity.
Theaccompanyingdocumentary,MoviesDreaminColor(2004),similarlytrackstheevolutionofcolorfrompainstakinghand-paintingofindividualframestothegorgeousresultsofthree-stripTechnicolorinthe1930s.Beforecolorcouldberepresenteddirectlyonfilmasphotographed,agreatmanydeadendswereattempted,suchasKinemacolor,whichgetssurprisinglyeffectiveresultsfromalternatingredandgreenframeswiththeappropriatefilters.There'salsoagooddescriptionofthetintingandtoningprocesses,clarifyingtheoftenconfusingdifferencesandpointingoutthatbothcouldbeusedatonce,dependingonthefilm.
Evenwhenthereisadeterminationtohavefilm-basedcolor,theapproachwasnotclear.Mostabortiveattemptsusedanadditiveprocess,layeringcolorstoanimpracticalextent.Itwasn'tuntilquiteabitlaterthatasubtractivefilteringprocesswasarrivedattosimplifythecolorphotographysystem.Eventhen,therewereanumberofdifficultiesbeforeTechnicolorwasreadytotaketheworldbystorm.Andthedifferencesincolorqualityarecertainlystrikingenough;thespecimensarehighlyvariableintheireffectiveness,thoughmanyoftheprimitiveversionsaresurprisinglycolorful.Thetwodocumentariestogethertellataleofstruggletoarriveatverisimilitude,andthey'rewelldone.TheoneobjectionIhaveisthatasignificantchunkofboth,dealingwiththeearlymagiclanternera,utilizesthesameexamples,andthey'rethusabitrepetitivewhenseentogether.
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